Renault F1 at the 2006 Goodwood Festival of Speed. Why use the engine software for sensible things, when you can play a tune on it!
Video Rating: 4 / 5
www.rockthestagenyc.com – Free Singing Lesson & Tip – Here is an intermediate vocal exercise called “octave slides”, sometimes called “octave sirens”. This is a great exercise to increase the range of your head voice and strengthen the transition between chest and head registers. Another “on the go” vocal exercise you can do anywhere & anytime. No need for a piano or audio scale. Tags head voice, adduction, singing high, chest voice, belting, free singing lessons, voice instruction, vocal exercises, resonance, falsetto, vocal cords Kevin Richards teaches at Rock the Stage NYC – Manhattan. For more information about studying at Rock the Stage in person or via Skype internet lessons: please visit www.rockthestagenyc.com
OMG this is an EARWORM !!!!
a bit flat but good try
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Most expensive instrument ever.
Want it to play YNWA in a Williams F1
believe what you want i was just giving you a fact my friend
Q beleza……
It sounds more like God save v10´s
Aren’t those two the same thing…
@Karazhaniscake actually god save the queen was written before my country tis of thee and neither are copyrighted. Long live public domain!
bullshit
bullshit
actually they do this cause the harmonics of the song and the high rpms of the engine warms the engine up the proper way instead of just starting it and pushing the accelerator
so this is why they don’t win a race but… its very cool
ils ont vraiment que sa a foutre chez renault lol c sur ke c plus marant que de faire mumuse avec une twingo mdr
gotta love 180* headers
Long live the V10!
If you hear that before the practice race, you know its team Renault warming up the engine.
Even though I agree with you, I believe you should not talk to disables people that way.
Winning an argument on Youtube is kind of like winning the special olympics. Even if you win it, you’re still a retard.
Where was the politically incorrect (yet absolutely fun!) second verse?
Thee sound of the 20th century in all its magnificence!
A certain amount of rpm means a certain pitch, dummy
most expensive music instrument ??
I saw Opps TV today and i saw this clip!!!
- While its true that someone needs some training to do THIS exercise, vowels are NOT the first thing to learn. Breathing is. Vowels are meaningless if you’re not breathing correctly. Vowels are very important but they’re nowhere near the whole story. Besides don’t take everything your opera teacher tells you as the gospel truth. Many opera coaches are naive when it comes to 21st century singing techniques. Many old opera ideas about the voice have been proven wrong.
If you are a really new singer and don’t have the natural talent, None of these excersises will help you. You need to learn vowels first. ooo- ohh- awww- aahhh – aaa (pat) — ayyyy— eeehhh. My voice trainer (opera singer) says without learning these baisics one will never “sing” You sing then on one note. So start on a note and sing all the above vowels on that one note. Think of “ahhh” as sighing a great sigh. “Ahhh” then just as easily with no tention do all the others in the above order.
Thank you! I think I will try thomas he is very close, I’ll make sure to tell him you recommended me
- if you carry a lot of tension in your throat even when speaking I’d suggest seeing a speech pathologist first to diagnose the problem. Singing adds pressure to the voice so it would only make your existing problem worse.
Thomas Appell is in Orange County as well as Shaun Williamson. Shaun in a Lunte TVS instructor and Appell is a famous author and vocal coach.
When I sing for a bit, my vocal break expands. I think its because of my throat being tense and my adams apple jumps like crazy. I try to do lessons that teach you to break the habit but I find that even with my everyday speaking voice I hold a lot of vocal tension and my apple is always choking me off. Do you have any tips? I want to try skype lessons with you, do you know any good orange county california based singing instructors? I am wary of taking lessons as I don’t know if I can ever sing
- lack of vibrato on any note means there is tension on the vocal cords and in the throat. You have to learn how to sing your lower and middle notes with NO tension or strain, then slowly build up to your higher notes without any tension. That could take 6-9 months of hard training.
- as many times as you can without hurting yourself. BUT this exercise will not cure all your vocal problems, nor teach you everything you need to know to sing properly.
How many times should I do this exercise a day?
it’s really hard to do a vibrato when doing a high note for me…any tips?
- A4 is the A below Tenor high C.
- there is a “learning curve” to learning any new skill. Give it some time. It’ll be a while before this happens correctly every time, just give it some time. Don’t give up, the more you do it the better it will get.
I like this exercise. Today I was doing it, and the first time I was able to do it fine, with clear notes. But then, the second time, something “snapped” or “cracked” in my voice and I wasn’t able to sing the higher notes clearly. My high notes were VERY airy and it was much harder sing the high notes. I was wondering if you knew what I did wrong. Sorry, I’m new to head/mix voice, would appreciate any help. Thanks in advance.
- OK then I misunderstood. But you are not necessarily “mixing” at A5, you have simply learned how NOT to change the tonality of your voice as your sing higher. Your voice is remaining balanced as you shift resonances from low to high ranges. Which should be ultimately be the goal of every singer. Great job.
Well, I guess I just keep my voice SUPER-blended, because there is no noticeable difference in the production of sound through the three octaves of A2 (2nd A below middle C) to A5 (which is the A below Soprano High C). Any higher than that, and I am forced to use operatic head voice or whistle register, because those are the limitations of my vocal cords. That, and any lower than A2, and the sound gets softer and less powerful, though my lowest limit sits at F1 (REALLY quiet).
- Do you consider the A5 you refer to as the A below Tenor High C? I ask because A5 is a high head voice note and have heard anyone “mix” that high. A5 for me is the A just below Soprano High C.
Hmm…I usually use a mixed voice for notes above my belt-break (being A4), and I can usually get a mixed belt to an A5, sometimes higher, sometimes lower. The only difference that I hear in your voice is that your tone sounds smoother, but that’s because my mixed voice sounds different than yours, I guess.
this helped alot
- its still not pure head voice if you hear air. That means the vocal cords are not closed all the way. You need more compression from the stomach muscles.
I did my head voice (not falsetto) and it sounded as air going out. What’s wrong? I’m not using false?
- don’t think of your voice has having parts you have to “connect” together and “breaks” occur where they meet. That simply isn’t true. You have only one voice with separate places of resonance.
“Breaks” in your voice happen because of a lack of proper breath support and thinking too much about controlling your voice.
So basically, as we get higher and past the “break point” the slides up slide through a mixed voice into head voice? Im still geting it all the terms down properly, the sounds coming out though lol Been using your videos like mad recently, defo helping.
@BlessixDreamix – Lip rolls do not help to create the kind of compression to sing with a powerful voice. They are good for teaching how to make sound without strain, maintain consistent airflow and warm the vocal cords but in my opinion that’s all they are good for.
Any coach that teaches a direct manipulation of the inner laryngeal muscles is being counterproductive to how the brain & body works to make sound. The key is all in breath support and resonance control.
- Not sure. I’d have to hear it to know exactly what it is you’re doing or not doing. I can “see with my ears” and tell what a singer is doing right and wrong just by listening.
- Yes for me it is. From about F#4 and up I am in a head resonance of sorts. Lower head resonance from about F#4-Bb4 and then full on head resonance from B4 onward. BUT I can mix some lower chest resonance into my lower head resonance and create the illusion that my chest voice has gone very high. That kind of “mixing” of resonances take time and many, many hours of practice.
the C5 note is in head voice?